Saga Thing has collected a selection of nicknames from the sagas that they have discussed. Old Norse nicknames could often be less than complimentary, frequently scurrilous, and were always given, never self-imposed. The giving of a nickname could be…
On pp. 89-91, a review of:
Jochens, J., 1995 'Women in Old Norse Society' (Ithaca and London: Cornell University Press)
Jochens, J., 1996 'Old Norse Images of Women' (Philadelphia: University of Pennsylvania Press)
A review of Jóhanna Katrín Friðriksdóttir, 2013 'Women in Old Norse Literature: Bodies, Words, and Power.' The New Middle Ages (New York: Palgrave Macmillan)
Review of Anderson, S. and Swenson, K. (eds), 2002 'Cold Counsel: Women in Old Norse Literature and Mythology. A Collection of Essays' (London and New York: Routledge).
Recordings of the following can be accessed on this page: Vellekla Ragnarsdrápa Krákumál Egill Skallagrímsson Other texts are read as part of the lessons. Access here
Essay Question: Why do the authors of the skáldasögur (Bjarnar saga Hítdœlakappa, Egils saga Skalla-Grímssonar, Gunnlaugs saga ormstungu, Hallfreðar saga, and Kormáks saga) incorporate poetry in their sagas?
Essay Question: How is the figure of the poet presented in the skáldasögur (Bjarnar saga Hítdœlakappa, Egils saga Skalla-Grímssonar, Gunnlaugs saga ormstungu, Hallfreðar saga, and Kormáks saga)?
Essay Question: To what extent do the authors of Gísla saga Súrssonar and Grettis saga Ásmundarsonar critique Icelandic law and the sentence of outlawry?
Essay Title: ‘The incorporation of Norse mythological material in Beowulf is nothing more than a random assortment of half-remembered stories.’ Discuss.
Essay Title: ‘The primary value of eddic poetry and Snorri Sturluson’s Edda is located not in their aesthetic accomplishments but in their status as mythological sources.’ Discuss.